Monthly Archives: November 2013

Albanian-American illustrates the human movement in a single photography

The Albanian-American photographer Gjon Mili was hailed for his work illustrating entire sequences of human movement in a single photograph—a sight previously unseen in the mid-twentieth century. He was able to capture such images using stroboscopic photography, a technique that combines an electronic flash unit with prolonged exposure times to create studied models of movement and gesture, which Mili pioneered while studying electrical engineering at the Massachusetts Institute of Technology. From musicians to athletes, here is a look at just a few of Mili’s thousands of subjects.

Below you can find the eleven photographs that illustrate different sequences of human movement by Gjon Mili/Time Life Pictures/Getty:

The juggler Stan Cavenaugh, 1941.

The juggler Stan Cavenaugh, 1941.

Study of an amputee’s gait, February, 1946.

Study of an amputee’s gait, February, 1946.

A tumbling sequence, 1962.

A tumbling sequence, 1962.

The ballerina Alicia Alonso executing a pas de bourrée at the American Ballet Theatre, December, 1943.

The ballerina Alicia Alonso executing a pas de bourrée at the American Ballet Theatre, December, 1943.

The conductor Karl Krueger leading the Detroit Symphony Orchestra, December, 1944.

The conductor Karl Krueger leading the Detroit Symphony Orchestra, December, 1944.

The drummer Gene Krupa performing in Gjon Mili’s studio, 1941.

The drummer Gene Krupa performing in Gjon Mili’s studio, 1941.

The violinist Jascha Heifetz playing in Mili’s studio, with a light attached to the bow tracing its movement, 1952.

The violinist Jascha Heifetz playing in Mili’s studio, with a light attached to the bow tracing its movement, 1952.

A shot by the billiards champion Juan Navarra, 194

A shot by the billiards champion Juan Navarra, 194

Woman making a bed, 1946.

Woman making a bed, 1946.

The shot-putter Charles Fonville, date unknown.

The shot-putter Charles Fonville, date unknown.

Unknown date and subject.

Unknown date and subject.

To read more about Gjon Mili’s work click  here .

The original article was posted at the NewYorker.com. Click here to read the original article.

Shaqiri and Xhaka: Looking forward to the World Cup in Brazil

They’ve been friends since their early childhood. Both started their football careers at FC Basel (Raiffeisen Super League). Granit Xhaka was 11 at the time, and Xherdan Shaqiri was 9. Granit was born in Switzerland, Xherdan in Kosovo. Both are aware of their Kosovar roots but appreciate the opportunities that Switzerland has offered them.

Xherdan Shaqiri

Xherdan Shaqiri is FC Bayern’s secret weapon. He even earned the nickname ‘Hulk’. Heiko Vogel (used to be Cheftrainer in FC Basel) says Xherdan is well in shape and that the girls like it. As soon as the team leaves the tour bus, girls line up and cheer his name. Ottmar Hitzfeld (his current Swiss national trainer) praises Xherdan for his incredible instinct, fantastic technique, his reliability on the field, as well as his good organization skills at the game. He is one of his key players despite his young age (22). Ottmar also appreciates his efficiency which is very difficult to be outperformed by any of his other players. Indeed, he poses a great risk to any goal keeper. Xherdan shot 10 goals and delivered 15 assists in 51 official matches. So far he has received 10 club awards, which proves he is more than just a reserve player to his good friend, Frank Ribery. They sure are competitive players but also appreciate each other’s skills on the field. Franck Ribery confirms that Xherdan always performs well on the field.

Granit Xhaka

Granit Xhaka is a good strategic and intelligent player at the defense side of the field. His trainer, Lucien Favre, praises him for his intelligent performance at the field, which is the most important aspect for Favre. Granit is also known for being the Swiss/Albanian version of Christiano Ronaldo. Xhaka would like to play against Christiano Ronaldo, on the field and learn from him. “On TV it looks like Ronaldo does everything with so much ease and I want to see what’s it’s like to play against him,” says Granit. Granit has been playing for Borussia Mönchengladbach since 2012. Martin Stranzl, one of his colleagues, describes Xhaka as a pleasant young man, with some rough attributes which proves helpful in football business. Recently, Granit has had individual training units with his Lucien Favre. They worked on perfecting Granit’s skills and practiced catching the ball out of the air and becoming a quicker player in general. Lucien Favre is a trainer who enjoys spending extra time with his players on the field and provides advice.

Granit and Xherdan replying to their fans’ twitter questions

What do you like most about FC Bayern?

Xherdan: Everything around it is brilliant. It’s the perfect match for him … the city, the club …

Which player would you sign into FC Bayern?

Xherdan: Granit would be a good fit, but he prefers Lionel Messi, his role model.

What do you think about the goal-line technique?

Xherdan: Afterwards it’s difficult to judge whether a goal was given or not.

Which stadium of the Bundesliga do you like the most and why do you wear no. 34?

Granit: Munich and Hamburg … He wears 34 because it was his first number when he started playing professionally.

Do you feel comfortable in Gladbach or do you miss the mountains?

Granit: Doesn’t really miss the mountains, Gladbach is fine.

What would you be doing if you hadn’t become a football player?

Xherdan: Would be selling men’s suits.

Granit: Had started an apprenticeship as an office administrator before he began his football career.

Both boys feel comfortable at the teams they are currently playing for. Of course, they miss each other and their families. So, they appreciate the time they get to spend with their friends and family. In the meantime, however, they are focusing on the upcoming World Cup in Brazil. Granit wishes to play against Portugal and Xherdan against Germany.

Check out their visit at Sportstudio ZDF in Germany:

“Agon” Albania’s 2013 Oscar Contender opens the Albanian Film Week in New York

The Albanian Film Week 2013, now second years old, welcomed Albanians from all around the globe in the opening ceremony on November 8, 2013 at the SVA Theater in Manhattan, New York.The festival opened with Albania’s 2013 Oscar Contender “Agon” directed by Mr. Robert Budina. 

Hundreds of Albanians, including actors, directors and producers were present at the SVA Theater on Friday night; hosted by the team members of the AFW and interviewed by Albanian American Vision network TV. But what is unique about the Albanian films showing this year is that the majority of them are inspired by true stories, depicting many diverse issues ranging from family to personal everyday struggles and the difficulties of war and strife. For instance, Mr. Robert Budina, director of the movie “Agon,” who currently lives in Tirana, Albania, said that he was ecstatic to be at the AFW festival and it was important for him to make a personal connection with Albanians and Americans in order to get a clear message out regarding his movie. The ideas on the film were born from true events, the struggles of friends and acquaintances that the director met throughout his life but also his personal difficulties as an immigrant in Italy. “The ideas about the movie came from many discussions that I had within my family, topics on how to live a good life in Albania. Taking in consideration that 40 percent of Albanians live outside Albania today as they are disappointed of struggles in the country, Albanians are willing to do anything it takes to prevent their family from discord. Based on my brother’s struggles to find a job and provide a good life for his kids in Albania, I decided to put together an idea and a story, a movie about two brothers. Consequently, this movie is all about family and love.” said Mr. Budina.

Ariot Myrtaj , the co-founder of AFW said that he was inspired to organize this festival in order to “tell the world about the Albanian culture and history and the world will only learn more about who we are through art and culture.” In addition, the marketing director, Theodora Rexhepi who has worked extremely hard with the rest of the AFW team to make the AFW second edition an unforgettable experience for everyone stated that, “Friday night was a spectacular night. It was very fulfilling to see that all the hard work our team invested in is now paid off. I was extremely happy that people enjoyed “Agon” and the after party as well. Our goal was to excite people and leave them with a great feeling of satisfaction”- Rexhepi.

The AFW opening night was concluded with Q&A by the Director Roberto Budina where he explained once again the importance of his connection with the Albanian and American public. As the night came to an end at the SVA Theater, the crowed continued the festivities and celebrations of the successful opening of the AFW at the prominent, beautiful and entertaining club of Tenjune in New York City’s Meatpacking District.

“Agon” – provoking emotions and controversies

The Albanian Film Week in New York successfully started off with a full house for the screening of “Agon” written and directed by Robert Budina. “Agon” brings the struggle of two Albanian brothers who migrate to Greece in the mid-2000s. “Two Albanian brothers, Saimir and Vini, migrate to Greece and try, each in his own way, to integrate into their host country by following two different lifestyles, with no way of turning back”. (AgonFilm)

The controversial topic of “Agon” galvanized clashing impressions amongst Albanians of New York who watched the film from very different perspectives. “We have better topics to target as a nation” is argued by those who are determined that everything we publish needs to be used towards improving Albania’s image in front of the world. It can also be argued that in response to the superabundant negative portrayal of Albanians by the foreign media, we need to show the world our values and beauty instead. The foreign media has degraded Albanians in different ways through many productions; reinforcing such an image is the last of our duties. On the other hand, “Agon” is about love, family and human struggle and it does not necessarily aim to portray a nation. “It is a very personal story”, the director Robert Budina explained during the Q&A of the Albanian Film Week in New York. “I have been an immigrant in Italy for five years and I have separately met all the characters of the film” Budina continued.

The outstanding performance of Guljem Kotori brings a very enticing and belligerent character, who is not interested in his brother’s way of making a living and frankly even disconcerted about the consequences of his actions. The character of Vini brings a story of love and sacrifice that goes beyond a mere story of immigration. The struggle of the two families goes beyond representing an ethnic group. “Agon” shows the dissension of those who look for a better life in a country that merely offers it. Nevertheless, it doesn’t target immigration itself. Nor does it aim to speak for a country’s image. It is the outstanding direction, the captivating storyline, and the phenomenal performance (Eglantina Cenomeri, Xhevdet Jashari, Antonis Kafetzopulos, Isabella Kogevina, Guljem Kotori, Marvin Tafaj, Laert Vasili and Hajrie Rondo) that represent a very high quality of Albanian cinematography while starring a very personal story. No art without controversy has ever made a meaningful impact. “Agon” raises many questions, dilemmas, conflicts and it does it beautifully while capturing the human emotions during hard and struggling times. The combat between good and evil prevails throughout the whole film and it provokes the audience in various ways.

Due to the vast interest of the audience,“Agon” will be showing again on Tuesday, November the 9th at 20:00 in Producers’ Club Theater in Manhattan.  For more information, please visit the official page : http://albanianfilmweek.com/event/tuesday-e-marte/.

“Agon” – provoking emotions and controversies

The Albanian Film Week in New York successfully started off with a full house for the screening of “Agon” written and directed by Robert Budina. “Agon” brings the struggle of two Albanian brothers who migrate to Greece in the mid-2000s. “Two Albanian brothers, Saimir and Vini, migrate to Greece and try, each in his own way, to integrate into their host country by following two different lifestyles, with no way of turning back”. (AgonFilm)

The controversial topic of “Agon” galvanized clashing impressions amongst Albanians of New York who watched the film from very different perspectives. “We have better topics to target as a nation” is argued by those who are determined that everything we publish needs to be used towards improving Albania’s image in front of the world. It can also be argued that in response to the superabundant negative portrayal of Albanians by the foreign media, we need to show the world our values and beauty instead. The foreign media has degraded Albanians in different ways through many productions; reinforcing such an image is the last of our duties. On the other hand, “Agon” is about love, family and human struggle and it does not necessarily aim to portray a nation. “It is a very personal story”, the director Robert Budina explained during the Q&A of the Albanian Film Week in New York. “I have been an immigrant in Italy for five years and I have separately met all the characters of the film” Budina continued.

The outstanding performance of Guljem Kotori brings a very enticing and belligerent character, who is not interested in his brother’s way of making a living and frankly even disconcerted about the consequences of his actions. The character of Vini brings a story of love and sacrifice that goes beyond a mere story of immigration. The struggle of the two families goes beyond representing an ethnic group. “Agon” shows the dissension of those who look for a better life in a country that merely offers it. Nevertheless, it doesn’t target immigration itself. Nor does it aim to speak for a country’s image. It is the outstanding direction, the captivating storyline, and the phenomenal performance (Eglantina Cenomeri, Xhevdet Jashari, Antonis Kafetzopulos, Isabella Kogevina, Guljem Kotori, Marvin Tafaj, Laert Vasili and Hajrie Rondo) that represent a very high quality of Albanian cinematography while starring a very personal story. No art without controversy has ever made a meaningful impact. “Agon” raises many questions, dilemmas, conflicts and it does it beautifully while capturing the human emotions during hard and struggling times. The combat between good and evil prevails throughout the whole film and it provokes the audience in various ways.

Due to the vast interest of the audience,“Agon” will be showing again on Tuesday, November the 9th at 20:00 in Producers’ Club Theater in Manhattan.  For more information, please visit the official page : http://albanianfilmweek.com/event/tuesday-e-marte/.

The Kosovar mermaid of the northern seas

Laura Bacaj, born in the Baltic Sea coastal city of Kalmar, Sweden, is a multi-talented 21-year-old, whose family left Kosovo a long time ago. Nevertheless, Laura feels that her ancestry gives her a relevant piece of the jigsaw puzzle of images she presents.

Bacaj grew up on the island of Öland, known for its white beaches and deep blue sea. She has had many different hobbies and interests, not always related to her current passion of visual arts. She recalls her childhood as being “tomboyish.” Given her personality as a “rascal,” she never settled down to call a single interest her “thing.” However, growing older, Bacaj began experimenting and exploring her artistic imagination and skills. Living by the sea, she explains, would make her contemplate being a mermaid in a parallel universe. Through her ability to create a new world with her imagination, Bacaj began traveling places to witness and imagine new things. Several yearly visits to her family in Kosovo reinforced a new connection, which later resulted in an unintentional new path.

Once while visiting her mother’s hometown of Peja, having a carefree time enjoying a cup of coffee, a man at the bar noticed her amazingly beautiful features. Stefano Piva, an Italian photographer, along with his assistant Gjoke Gojani, were instantly impressed and immediately began thinking of her as part of their future photography exhibition in Bergamo, Italy. Surprised and excited, Bacaj wrote up the news in her personal blog, which she frequently used to share her thoughts and inspirations. This was an amazing opportunity for a girl who  was “never expected to do anything in life,” she explained.

After the first publications of her modeling photos surfaced, the word was out. Bacaj began reaping the rewards of her work, including collaboration deals with designers, photographers, and prestigious companies. For example, the hair line company Syoss asked her to be one of the new faces of their [then recent] first launched hair color products in Sweden.  

In continuum of what began in Kosovo, Bacaj made new contacts and contracts with several Swedish designers, make-up studios, and fashion magazines. She was able to represent all of herself. “Being a model is a lot like being an actress,” she explained. “Although, a lot of times you have to tell a story with a single shot, while actresses can tell this story through movement. In order for the photographer to trust that you’ll bring feeling to the shot, you have to really feel it. In other words, you will always find ME in my shots.” Never one to brag about her achievements, she does joke that she now has Stockholm in the palm of her hand. In her two short years as a model, her face even graced the magazine of Italian Vogue.

“I never know what the next morning will bring,” she says about the spontaneity of her new lifestyle and success. Moving to live in the Swedish capital, she is electrified by its energy and people. It was the perfect place for a restless seeker, as there is always a “hunt for the new.”

Other than modeling, Laura dabbles in her other interests and talents. These include DJ-ing at Stockholm’s clubs, experimenting with Techno, Drum and Bass. She also shows off her drawings on her Instagram profile.

Laura’s last visit to Kosovo was last month, for about two weeks. She got to know three talented Kosovar-Albanian artists, who she has already made plans for future collaborations with. One has already sparkled. During this visit, Laura got together with the painter Rron Qena to model for one of Qena’s recent paintings.

Among other dreams of making our country a more positive environment, in the future, Laura would also like to start her business as a young entrepreneur in Prishtina. Until then, the rest of Laura ‘the Kosovar mermaid of the northern seas’, remains to be unfolded.

The Kosovar mermaid of the northern seas

Laura Bacaj, born in the Baltic Sea coastal city of Kalmar, Sweden, is a multi-talented 21-year-old, whose family left Kosovo a long time ago. Nevertheless, Laura feels that her ancestry gives her a relevant piece of the jigsaw puzzle of images she presents.

Bacaj grew up on the island of Öland, known for its white beaches and deep blue sea. She has had many different hobbies and interests, not always related to her current passion of visual arts. She recalls her childhood as being “tomboyish.” Given her personality as a “rascal,” she never settled down to call a single interest her “thing.” However, growing older, Bacaj began experimenting and exploring her artistic imagination and skills. Living by the sea, she explains, would make her contemplate being a mermaid in a parallel universe. Through her ability to create a new world with her imagination, Bacaj began traveling places to witness and imagine new things. Several yearly visits to her family in Kosovo reinforced a new connection, which later resulted in an unintentional new path.

Once while visiting her mother’s hometown of Peja, having a carefree time enjoying a cup of coffee, a man at the bar noticed her amazingly beautiful features. Stefano Piva, an Italian photographer, along with his assistant Gjoke Gojani, were instantly impressed and immediately began thinking of her as part of their future photography exhibition in Bergamo, Italy. Surprised and excited, Bacaj wrote up the news in her personal blog, which she frequently used to share her thoughts and inspirations. This was an amazing opportunity for a girl who  was “never expected to do anything in life,” she explained.

After the first publications of her modeling photos surfaced, the word was out. Bacaj began reaping the rewards of her work, including collaboration deals with designers, photographers, and prestigious companies. For example, the hair line company Syoss asked her to be one of the new faces of their [then recent] first launched hair color products in Sweden.  

In continuum of what began in Kosovo, Bacaj made new contacts and contracts with several Swedish designers, make-up studios, and fashion magazines. She was able to represent all of herself. “Being a model is a lot like being an actress,” she explained. “Although, a lot of times you have to tell a story with a single shot, while actresses can tell this story through movement. In order for the photographer to trust that you’ll bring feeling to the shot, you have to really feel it. In other words, you will always find ME in my shots.” Never one to brag about her achievements, she does joke that she now has Stockholm in the palm of her hand. In her two short years as a model, her face even graced the magazine of Italian Vogue.

“I never know what the next morning will bring,” she says about the spontaneity of her new lifestyle and success. Moving to live in the Swedish capital, she is electrified by its energy and people. It was the perfect place for a restless seeker, as there is always a “hunt for the new.”

Other than modeling, Laura dabbles in her other interests and talents. These include DJ-ing at Stockholm’s clubs, experimenting with Techno, Drum and Bass. She also shows off her drawings on her Instagram profile.

Laura’s last visit to Kosovo was last month, for about two weeks. She got to know three talented Kosovar-Albanian artists, who she has already made plans for future collaborations with. One has already sparkled. During this visit, Laura got together with the painter Rron Qena to model for one of Qena’s recent paintings.

Among other dreams of making our country a more positive environment, in the future, Laura would also like to start her business as a young entrepreneur in Prishtina. Until then, the rest of Laura ‘the Kosovar mermaid of the northern seas’, remains to be unfolded.

Albanian Film Week: Continuing Success in New York

Albanian Film Week, created by producer, director and screenwriter Mrika Krasniqi and producer, actor, and screenwriter Ariot Myrtaj, debuted  in August 2012.

How has the AFW been such a success? Since the first official screening in November 2012, the festival has proven to be a remarkable accomplishment with more than 100 Albanian movies in different categories being screened and presented. The festival not only portrays the diverse and unique character of Albanian cinema, but also brings together Albanians from all over the world to work toward the common good of the Albanian film industry. The varied numbers of directors, producers, screenwriters, and actors brought together during the AFW enable Albanians from around the globe to work together to promote success and bring a sphere of influence to cinema, art, and culture universally.

The 2013 AFW will once again assist Albanian culture and art to flourish and promote the Albanian culture in multicultural New York City. Theodora Rexhepi, Marketing Director of AFW, says, “Cinematography is like the internet. It connects people everywhere and indifferent of nationality, culture or color. It amazes, excites and inspires everyone who is touched by it. [For] some unexplainable reason, it transcends to touch [the] human soul and speaks to all in the same language.”

In regards to the significance of the film festival and the Albanian culture, Ermira Babamusta, Ph.D., who works for the cultural advocacy of the AFW says that “through Albanian Film Week (AFW) we can reveal our culture and identity to New York and reflect the work of very talented Albanian filmmakers and artists, who are a great representation of our community values and extraordinary talent. AFW is committed to enhancing Albania’s image and identity in [the] U.S. and supporting Albanian artists. Our goal is to help the integration process of Albanian films in the U.S. market, as well as show a part of past and present of Albanian social values and history to the American public.”

In this way not only do we promote the Albanian culture in the U.S. and worldwide, but we also influence important non-Albanian figures to support the Albanian identity and culture through cinema. For instance, “NY has truly embraced the Albanian community; political leaders like Mayor Bloomberg, Congressman Eliot Engel, Senator Charles Schumer or the Clintons (Clinton Foundation) have been very supportive through various programs in promoting arts and culture.” said Babamusta.

The 2013 Opening Ceremony of the second AFW taking place on Friday, November 8, 2013, will show a twenty minute introduction to the film Agon, directed by Robert Budina. This year, the AFW will also enable directors of short and long films, as well as documentaries to compete for the best Albanian movies, announcing the winners on November 14, 2013. The competitive atmosphere adds another element to the dedication and hard work of  the Albanian participants to bring about the best of Albanian culture and art.

Albanian Film Week: Where Albanian Cinema Meets New York

The Albanian New Yorkers have an opportunity to take a break from their daily routine and join the second annual Albanian Film Week (AFW) which will take place between the 8th and 14th of November in SVA Theaters and Producers Club Theaters.

The AFW will not only be a great opportunity for the Albanians in the area to reconnect with the modern Albanian cinematography, but it will also give a chance to all the film lovers to get a taste of the Albanian culture.

The Albanian Film is the first of its kind in the United States. Through art, the international public will discover the cultural, political, and social reality of Albanians. This event will showcase Albanian cinema to the viewing audience with the hope of opening a dialogue on the development of Albanian film and theways these films present various aspects on Albanian life. Ultimately, our goal is to better preserve the Albanian culture and highlight the perseverance of our people. With your support, we will bring this bridge -building event to fruition to better serve our nations and the missions of universal pace, tolerance, and respect” said MrikaKrasniqi, the organizer of AFW.

There will be 30 productions showing, starting with Albania’s 2013 OSCAR contender “AGON” which will be showing the opening night on Friday, the 8th at 19:00.

The Albanian Film Week has been organized by Nil Production and Albanian Artists Associations. The AFW was also supported from the Consulate General of Kosovo in New York, the Ministry of Culture, Youth and Sport of Kosovo, the Municipality of Prishtina, Albanian Center of Cinematography, Kosovo Cinematography Center, KosovaFilm, PrishtinaFilm, etc.

Here you have the program link with upcoming events: http://albanianfilmweek.com/events/